A grizzly bear erupting from its cave, representing Xing Yi Quan’s Bear Form and close-range authority, featured on the Martial Arts Repository by Kevin Wikse. I’ll be leaving Portland, Oregon in the next couple of days. Southern California is technically on the horizon, but the foreseeable future belongs to Idaho. For those paying attention, my time in Portland was productive—though not without its curiosities. Which brings me to a necessary travel advisory. During my stay, I observed a number of strange, glittery frogs crushed deep into the cracks of the asphalt, as though they’d been run over by an 18-wheeler with a personal vendetta. The highest concentration appeared near the ICE deportation center—an objectively bizarre location for amphibian activity, unless the city has recently revised its zoning laws to include ritual mishaps. Portland might want to revisit its cleaning and sanitation policies. Those streets are slick, and not in a charming, rain-soaked, noir sort of way. ...

The Lion system of Yin Style Baguazhang, which is transmitted directly from Dong Hai Chuan, Yin Fu, Men Baozhen, then to Dr. Xie Peipi (who passed away in 2003), and finally to He Jinbao, is the most aggressive and structurally dominant animal system within the broader Eight Animal Shape framework of Yin Style. The Lion system is the foundation of the “combat structure” known as the Interlocking  Palm, representing the principle of strike and advance. The Lion shape embodies direct, unrelenting force, ferocity, integrity, and overwhelming bio-kinetic momentum. The Lion shape builds the practitioner into a living avalanche.  *He Jinbao demonstrating Yin Style Baguazhang. “Strike, strike, and strike again. Anything is a valid target. There is nothing within the human physical condition that the Lion Palm cannot obliterate.”  Let's break down the Lion Shape of Dr. Xie Peiqi’s Yin Fu style Baguazhang from his specific lineage’s perspective: Internal Mechanics and Strategy: Th...

  Suppose there was just one fighting set from Yin Fu Baguazhang that captured the martial strategies, heavy-handed applications, and an array of compound circular blocks and deflections with the appropriate speed, fluidity, and savagery, which would, across the board, benefit people of all physicalities. In that case, the Dragon & Phoenix, without question, that fighting set.  Dragon & Phoenix is a battle of two siblings. First-born son Dragon. First-born daughter Phoenix. Eldest brother and sister, and embodiments of the primordial forces of thunder and wind who forever seek dominance and favor from their father, who is the sky and all of heaven. Dragon and Phoenix fighting set is both a clash and a flow of Yin and Yang energies, with a leaning towards an overall Yang force. Dragon, the source of thunder, is the oldest Son, most like his father, Lion. Phoenix, the wind source, is the Yang of the Yin forces, the oldest daughter and a daddy's girl.  Dragon and Pho...

*Peng /Phoenix (At the time of this piece's initial writing, I was attempting to differentiate between the Phoenix of Chinese culture and the European conception of the Phoenix).  The quality of Wind or Xun trigram is that of sustained pervasive influence, insomuch a degree of omnipresence can be tangibly grasped. Further notable associations with Wind, or Xun trigram, include vastness and expansion, but also a feeling of remote distance and dissociation from attachments. This phenomenon manifests as Peng or King of Birds in the physical dimension and Chinese cultural context. Peng is an elusive but paradoxically continuously present animal, largely beyond emotional expressions. Peng's aloof personality should not be mistaken for an uncaring or selfish nature. Peng is supremely benign and virtuous but is virtuous and kind because that is what Peng is, not to "act" benignly or noblely. Serene, in the face of violence, Peng responds to evil by natural law. Once harmony ...