Suppose there was just one fighting set from Yin Fu Baguazhang that captured the martial strategies, heavy-handed applications, and an array of compound circular blocks and deflections with the appropriate speed, fluidity, and savagery, which would, across the board, benefit people of all physicalities. In that case, the Dragon & Phoenix, without question, that fighting set.  Dragon & Phoenix is a battle of two siblings. First-born son Dragon. First-born daughter Phoenix. Eldest brother and sister, and embodiments of the primordial forces of thunder and wind who forever seek dominance and favor from their father, who is the sky and all of heaven. Dragon and Phoenix fighting set is both a clash and a flow of Yin and Yang energies, with a leaning towards an overall Yang force. Dragon, the source of thunder, is the oldest Son, most like his father, Lion. Phoenix, the wind source, is the Yang of the Yin forces, the oldest daughter and a daddy's girl.  Dragon and Pho...

*Peng /Phoenix (At the time of this piece's initial writing, I was attempting to differentiate between the Phoenix of Chinese culture and the European conception of the Phoenix).  The quality of Wind or Xun trigram is that of sustained pervasive influence, insomuch a degree of omnipresence can be tangibly grasped. Further notable associations with Wind, or Xun trigram, include vastness and expansion, but also a feeling of remote distance and dissociation from attachments. This phenomenon manifests as Peng or King of Birds in the physical dimension and Chinese cultural context. Peng is an elusive but paradoxically continuously present animal, largely beyond emotional expressions. Peng's aloof personality should not be mistaken for an uncaring or selfish nature. Peng is supremely benign and virtuous but is virtuous and kind because that is what Peng is, not to "act" benignly or noblely. Serene, in the face of violence, Peng responds to evil by natural law. Once harmony ...